SANCTUARY OF PADRE MARTINEZ ( Martinez Hacienda - Taos, New Mexico) - New 60"x50" Work in Progress - Yesterday completed the underpainting on the 60"x50" Sanctuary of Padre Martinez. It is of the Rio Pueblo that runs in front of the Martinez Hacienda in Taos. Got this view on a photo trip with my dear friends Rick Finney and Jerry Walter from Taos. It was a lovely October morning - walked into the shadows as the river was running - almost had the feeling I was in church. The darks and the lights in this one are tricky, but when I looked at it last night, I could almost see the finished canvas - a smile on my face! ....Stay tuned!
MY PROCESS--DOCUMENTING "WORKS IN PROGRESS"- NEW PAINTINGS AND PRINTS. -- INCLUDES PALETTE AND COLOR NOTES.
Wednesday, June 03, 2015
Monday, June 01, 2015
Tuesday, May 26, 2015
CLOSEOUT! STUDIO EDITION PRINT INVENTORY
Great
News! In anticipation of a new venue for my print images from my
fairly large body of work (in other words a diary of the last 48 years
of my life in painting northern New Mexico) - I am offering the existing
inventory of my Studio Edition Prints at very affordable closeout
prices. There are only one or two available for each image. The major
portion of this catalog is now posted to my Online Gallery/Store . You are invited to visit and enjoy! (Featured image - ALMOST HOME - Preview/Purchase)
Friday, May 15, 2015
Thursday, May 14, 2015
TAOS EVENING LIGHT - 16"x20" Work in Progress (Glazes)
TAOS EVENING LIGHT - 16"x20 Original Oil - Work in Progress (Glazes) - The sky and the mountains are complete. Sky: Cobalt Blue, Paynes Grey, Cadmium Red, Permalba White, Naples Yellow Pale. Mountains: Cobalt Blue, Payne's Grey, Yellow Ochre, Permalba White. Trees: Dark Trees - Perelyne Maroon, Dioxazine Purple, Mars Black. Lighter Trees: Burnt Sienna, Brown Pink, Italian Pink, Cadmium Yellow. Foreground: Dark foundation for grasses: Prussian Blue, Burnt Sienna, some Chrome Oxide Green Opaque.
TAOS EVENING LIGHT - 16"x20" Work in Progress (Overall Glaze)
TAOS EVENING LIGHT - 16"x20" Work in Progress - Overall Glazes. This is a somewhat new step for me, especially for late afternoon or evening paintings. I used my painting medium to thin Payne's Grey and Dioxazine Purple and glazed over my underpainting (make sure the underpainting is thoroughly dry). As you can see the red and pink early evening tones come through!
Wednesday, May 13, 2015
TAOS EVENING LIGHT - Work in Progress (Underpainting)
TAOS EVENING LIGHT - 16"x20" Original Oil on Belgian Linen - Work in Progress (Underpainting) - Color notes: All colors are mixed with MG Underpainting White and Distilled Turpentine. Sky: Cadmium Red. Trees: Cadmium Yellow, Cadmium Red and Cadmium Orange. Darker Trees: Brush with yellow colors on it (dirty brush) and Dioxazine Purple. Foreground: Yellow Ochre, Burnt Sienna, Prussian Blue, Olive Green.
Sunday, May 03, 2015
CORAZON SAGRADO - NEW 40"x30" Original Oil
Studio No. 1115 - CORAZON SAGRADO (Rio Chiquito, New Mexico) - New 40"x30" Original Oil. Completed 5/4/15. Preview/Purchase.
Monday, April 27, 2015
CORAZON SAGRADO - 40"x30" Work in Progress (Glazes)
Studio No. 1115 - CORAZON SAGRADO (Rio Chiquito, N.M.) - 40"x30" Work in Progress (Glazes) - Colors are thinned to transparency or semi-transparency with painting medium. Color Notes: Tree - Italian Pink, Brown Pink, Cadmium Red, some Chrome Oxide Green Opaque. Sky: Payne's Grey, Permalba White, Cobalt Blue. Green Trees: Prussian Blue, Burnt Sienna, Chrome Oxide Green Opaque, Yellow Ochre. Foreground: Burnt Sienna, some of the sky mixture, Yellow Ochre.
Wednesday, April 22, 2015
CORAZON SAGRADO - New 40"x30" Work in Progress (Underpainting)
CORAZON SAGRADO (Rio Chiquito, New Mexico) - New Work in Progress (Underpainting) 40"x30" Original Oil on Belgian Linen. Color Notes: All colors mixed with MG Underpainting White and Distilled Turpentine. Sky: Payne's Grey, Cobalt Blue Tree: Cadmium Yellow, Yellow Ochre, Cadmium Red and some Chrome Oxide Green Opaque. Greenery: Chrome Oxide Green Opaque, Prussian Blue and Burnt Sienna. Stay Tuned for the next step: The Glazes. DC
Monday, April 20, 2015
WINTERLIGHT - Completed 22"x28" Original Oil - Sold
Friday, April 17, 2015
WINTERLIGHT - Work in Progress - the Middle Tones
WINTERLIGHT - Work in Progress (Middle Tones) - 22"x28" Original Oil on Belgian Linen - If at any phase of the painting I begin to get excited, this is it - I see the end in sight, the possibilities. This phase is the transition from the darks to the lights. Am using more opaque paints and "scumble" them on top of the darks. This painting has been painted in my head a hundred times - ever since I saw the evening light coming across the front yard. Stay tuned! DC
Thursday, April 16, 2015
EXPERIMENT!
Something New! Another phase of WINTERLIGHT painting - in order to modulate light and hopefully give it that "last moment before sunset feeling" have used a transparent Payne's Grey glaze thinned with fast drying painting medium.
Tuesday, April 14, 2015
WINTERLIGHT (Tesuque, N.M.) Work in Progress
Studio No. 1115 - WINTERLIGHT (From my kitchen Window, Tesuque, N.M.) - New 22"x28" Original Oil on Belgian Linen - All colors mixed with MG Fast Drying Underpainting White and Distilled Turp. Color Notes: Sky: Paynes Grey, Cobalt Blue Trees: Yellow Ochre, Cadmium Red and Cadmium Yellow. Light Areas on Snow: Permalba White, Yellow Ochre Pale Foreground: Paynes Grey and Cobalt Blue Tire tracks: Perylene Maroon, Burnt Sienna, Dioxazine Purple.
Monday, April 13, 2015
PLACITAS - New 40"x30" Original Oil
Tuesday, March 17, 2015
PLACITAS - 40"x30" Work in Progress (Underpainting)
Studio No. 1215 - PLACITAS - 40"x30" Work in Progress (Underpainting) - All color are mixed with MG Underpainting White and applied with distilled turpentne. Sky: Thalo Blue, Thalo Green, Dioxazine Purple. Greens: Chrome Oxide Green Opaque. Chamisa: Yellow Ochre, White, Cadmium Yellow, Mars Orange.
SANTUARIO - 60"x50" Work in Progress (Loose Sketch)
Studio No. 1115 - SANTUARIO (Rio Pueblo at Martinez Hacienda, Taos, N.M.) - 60"x50" Work in Progress - Okay, here we go! This is a very loose sketch - working with distilled turpentine, Prussian Blue and Burnt Sienna. A long way to go before I begin to lay in the underpainting - tighten sketch - have the source material right next to the canvas where I can look at it all day long - imagining the darks in my head - they are the strongest element of the composition.
Monday, March 16, 2015
PROCESS - A GRID AS A GUIDE
3/16/15 - SANCTUARY -This is a 60"x50" Belgian Linen canvas. Most often a painting is a long time in the making -- and most of it is painted in my head months, or sometimes years, before it finds life on a canvas. A few years ago my traveling buddies, Jerry Walter and Rick Finney, and I were at the Martinez Hacienda early one beautiful fall morning. The Rio Pueblo was quiet - the scene was serene - another unforgettable moment. It was preserved in a photograph and for all this time quietly bouncing around in my head, popping up when I least expected it. Here is what I hope is the beginning of a really good painting (one never knows how things will turn out - hoping to be surprised!). This is a 60"x50" canvas prepared with three coats of gesso toned with Payne's Grey. I have blocked out the grid in ten inch squares so that I can put the sketch on with fairly accurate proportions. Stay tuned!
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