Monday, January 06, 2014

WINTER DREAMS - Exhibition-quality archival giclee

WINTER DREAMS - (Llano Quemado, Truchas, New Mexico - 1982) - Exibition-quality Archival Giclee -  Click here to view/purchase.

Sunday, January 05, 2014

UNA SENDA DESCONOCIDO - Exhibition-quality Archival Print

UNA SENDA DESCONOCIDO (A Path Unknown) - Click here for the High Road Print Catalogue.  

Long, long ago, after moving to New Mexico, I discovered the mystery and fascination of back roads - some led to quiet pastures, and some to old churches, capillas, ghost towns-- old crumbling buildings, broken fences -- signs of lives having lived in another time-- places where all you can hear is the wind and perhaps the whisper of birds' wings as they pass by overhead.......these roads always seem to appear at the beginning of one's journey....... Enjoy!


 

 

Saturday, January 04, 2014

FIELDWORK 2014.......


Una Senda Desconocido (A Path Unknown) - For me all it takes is a good camera and my 20-year old pick-up truck - maybe a sandwich and some cookies!  In every place I have lived and painted - Santa Fe, Truchas, Taos - there has been a period of excitement in the beginning and once I begin to feel at home, I seem to find my heart in that place and it then becomes a part of the story of my life.  Now I am at home in Tesuque - coming full circle....it is important to go beyond what my eyes see.....

Friday, January 03, 2014

STUDIO WORK.....

Once or twice a year I order my paints, canvases and panels. As long as the gesso is mixed, it pays to build an inventory of supplies at the ready.   If in the middle of a "work blockage" -- don't fight it -- gesso canvases, build your source material with some field trips.  Taking a break once in a while is great for inspiration -- most of my work is painted in my head long before the brush ever hits the canvas!

Thursday, January 02, 2014

PREPARING TO PAINT -- GESSOING CANVAS


It is my habit to work on a "toned ground" - years ago I worked on a red ground and sometimes ochre.  Then I found that a grey-blue background worked best for me -- I mix the gesso (if necessary thin a little bit with water to a workable consistency) with Payne's Grey and then apply two to three coats to the canvas in a swirling motion (let each coat dry to the touch before applying the next) - avoid painting in straight strokes.  Let dry overnight before stacking boards or canvas for storage.