"NIGHTSKY WANDERER",ORIGINAL OIL - SOLD

"NIGHTSKY WANDERER"-SOLD
Completed 8/27/07
24"x30" Original Oil on Fine Belgian Linen
Framed in Silver with Linen Liner
For price and availability, please call my Taos Studio at (505)758-7454.

PALETTE FOR NIGHTSKY WANDERER

8/27/07 -MIXING PALETTE FOR NIGHTSKY WANDERER

ELEGY FOR SUMMER - STUDIO EDITION PRINT

'ELEGY FOR SUMMER" - STUDIO EDITION

Now available as an exhibition-quality archival giclee
Hand-titled and Hand-signed - in clear PolyFoldLock Envelope
Large Size - $100.00 - 17"x22" Sheet Size
Small Size - $60.00 - 13"x19" Sheet Size
To see the full High Road Catalogue, go to
www.donnaclairart.com
To order this print, please call my Taos Studio at (505)758-7454

MORNING POEM - SOLD!

"MORNING POEM"
Completed 8/20/07
SOLD - 8/21/07

18"x18" Original Oil on Fine Artist's Canvas
Framed in Silver with Linen Liner

TAOS EVENING LIGHT -STUDIO EDITION PRINT

#1307 - "TAOS EVENING LIGHT" - STUDIO EDITION PRINT

It's monsoon season again -- a late afternoon storm is moving off into the Pecos Wilderness -- everything is fresh and cool after the rain -- and the scent of sage is in the high desert air and thunder can be heard in the distance..... Now available as a Studio Edition Print (17"x22" sheet size) - $100. All major credit cards accepted. Free shipping and handling within the Cont. U.S. -- Printed to order, call my Taos Studio at (505)758-7454.

HIGH ROAD AUTUMN -Orig. Oil - SOLD

"HIGH ROAD AUTUMN" - SOLD
Completed 8/9/07

11"X14" Original Oil on Cold-Pressed Italian Gessoboard
Framed in Gold with Linen Liner.
For more information, please call my Taos Studio at (505) 758-7454.

HIGH ROAD AUTUMN - Underpainting

"HIGH ROAD AUTUMN"
(UNDERPAINTING)

11"x14" Original Oil on Cold-Pressed Italian Gessoboard
Primary palette colors (see right-hand column for my list of colors) mixed with MG White and Turpentine. Allow to dry completely before adding glazes.

DON EUSAVIO'S PARADISE - STUDIO EDITION

"DON EUSAVIO'S PARADISE"
New Studio Edition Print

A long time ago in Truchas, New Mexico -- My neighbor, Don Eusavio, bringing his wood supply in for the day -- quiet, peace, serenity, does life get any better than this?

Now available as a Studio Edition Print on archival fine art paper (17"x22" sheet size) - $100.00 To order larger prints, just visit my website at www.donnaclairart.com. Visa, Mastercard, Amer. Exp. and Discover accepted. To order, just call my Taos studio at (505758-7454.

"TRUCHAS TOWN" - Completed Orig. Oil

#3907 - "TRUCHAS TOWN"

14"x11" Orig. Oil on Cold-Pressed Italian Gessoboard
Framed in Gold with Linen Liner
For price and availability, please call my Taos Studio at (505)758-7454.

"TRUCHAS TOWN" - UNDERPAINTING

#3907 - "TRUCHAS TOWN" - UNDERPAINTING
14"x11" Orig. Oil on Cold-Pressed Italian Gessoboard
For more information, just call (505)-758-7454

PICURIS PASTORAL - Original Oil-SOLD

"PICURIS PASTORAL" - SOLD

11"x14" Orig. Oil Painting on Cold-Pressed Italian Gessoboard.
To be framed in Gold with Linen Liner.
For price and availability, please call my Taos Studio at (505)758-7454.

PICURIS PASTORAL - UNDERPAINTING

"PICURIS PASTORAL" - UNDERPAINTING

Picuris Pueblo, New Mexico --At the onset of autumn every year, if this field has not been plowed under, the wild asters bloom, along with other fall wildflowers.

FULL MOON RISING - Completed Orig. Oil

#4107 - "FULL MOON RISING"

11"x14" Original Oil on Cold-Pressed Italian Gessoboard
Framed in Gold with Linen Liner
For price and availability, please call my Taos Studio at (505 758-7454.

FULL MOON RISING - UNDERPAINTING

"FULL MOON RISING" - Underpainting

11"x14" Orig. Oil on Cold-Pressed Italian Gessoboard
To be Framed in Gold with Linen Liner
For price and availability, please call my Taos Studio at
(505)758-7454.

HIGH ROAD PASTORAL -Orig. Oil - SOLD

"HIGH ROAD PASTORAL" - SOLD

14"x11" Original Oil on Cold-Pressed Italian Gessoboard
To be framed in Gold with Linen Liner
For price and availability, please call my Taos Studio at (505)758-7454.

HIGH ROAD PASTORAL - UNDERPAINTING

"HIGH ROAD PASTORAL" - Underpainting
14"x11" Orig. Oil on Cold Pressed Italian Gessoboard
To be framed in gold with linen liner.

"AFTERNOON SUN" - SOLD

Studio No. 4307 - "AFTERNOON SUN" - SOLD
14"x11" Original Oil on Cold-pressed Italian Gessoboard
To be framed in Gold with Linen Liner

For price and availability, please call my Taos Studio at (505)758-7454.

"AFTERNOON SUN" - UNDERPAINTING

Studio No. 4307 - "AFTERNOON SUN" (Underpainting)
14"x11" Original Oil on Cold-pressed Italian Gessoboard
To be framed in Gold with Linen Liner

Here is a quick oil sketch -- MG White mixed with basic oil colors - Cadmium Yellows, Thalo Blue, Prussian Blue and a little Mars Black in the dish at the base of the flowers.

DIAS DE ORO -- GLAZES II

WORK IN PROGRESS - LOS DIAS DE ORO
(GLAZES II) - 36"x48" Original Oil on Fine Belgian Linen

In my last post to this web log, I demonstrated the difference between the underpainting and the beginning of the glazing process -- laying in the dark, transparent colors. This week I covered the entire canvas with glazes -- even thinning opaque paints to a semi-transparent consistency.

The two autumn trees: I thinned Yellow Ochre, Cadmium Yellow and Cadmium Red and brushed those colors over the shape of the trees to "tone" the ground. Then I began laying in the darker colors (Alizarin Crimson, Diox. Purple, C. Ox. Green Opaque) to create volume and shadows. I used Prussian Blue, Burnt Sienna and Chrome Oxide Green Opaque in the pinon trees at the top of the painting. The pastureland in the foreground and middle ground is a combination of all these colors to varying degrees of light and dark. I will let these colors set up for a few days before working into them again, otherwise the turpentine in my painting medium will mix with the heavier, opaque paints and create "mud".

If you have any questions regarding this new painting, just give me a call at (505) 758-7454.

WORK IN PROGRESS - DIAS DE ORO (GLAZES)

WORK IN PROGRESS - DIAS DE ORO - THE GLAZES

Today I worked some glazes into the right side of the painting -- these transparent colors - Burnt sienna, alizarin crimson, and yellow ochre (thinned to a transparency with the painting medium) in the autumn trees. The pinons at the top of the canvas: Prussian Blue and Burnt Sienna for the darkest values, with some chrome Oxide Green Opaque in the lighter areas.

I am adding this post today to focus on the contrast between the glazes on the right and the underpainting on the left side of the painting -- these dark colors not only help to emphasize the light of the final opaque colors, but they add a richness to all the colors. If you really look at Renaissance paintings -- those dark colors are glazes -- observe how they make the lights appear lighter!

If you have any questions or comments regarding this painting, please call me at (505)758-7454.