16 December 2009 -- Worked all day yesterday on the foreground, after putting dark glazes (burnt sienna, ultramarine blue and burnt umber) on the walls. There is a heavy impasto in the foreground - added cadmium red and cadmium yellow to Permalba White for the snow. This is the stage of a painting where I could happily quit -- my mind races ahead to the completed canvas -- what I want it to look like - and the painting really has a mind of it's own -- in a way it tells me what needs to be done. It's a very strange collaboration! DC - Taos
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