MY PROCESS--DOCUMENTING "WORKS IN PROGRESS"- NEW PAINTINGS AND PRINTS. -- INCLUDES PALETTE AND COLOR NOTES.
Thursday, October 30, 2014
PREPARING MY CANVAS - GESSO/TONED GROUND
PREPARING MY PAINT SURFACE (Canvas, untempered masonite panels, birch panels, Italian Gessoed panels) - All my paint surfaces are prepared with two to three coats of toned gesso. What I like about the gessoing is that it fills up the interstices of the canvas and the toned ground softens the final layers of paint. (Toned Ground: Renaissance painters used a "grisaille - or a sketch in various shades of grey). I also don't have to worry about covering all those darned white spaces at the edges of trees, buildings, etc. I mix a large amount in an old coffee can, apply with a regular "trim" paint brush and tone many canvases of different sizes at one time. Gesso "days" can easily turn into a "gesso week" - but once this is finished, I am free to think of the painting, rather than the preparation. Recipe: Liquitex gesso (amount depends on how many canvases you want to cover) - small jar(s) of Liquitex Payne's Grey (mix to desired tone) - small amount of water to loosen gesso (I don't want it to leave brush marks once it is applied). Apply in a loose fashion and try to have the canvas positioned in the same direction as the final painting. 10/30/14
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